The Great White Way’s biggest night is underway.
Below is a full list of the 2024 Tony Award nominees and winners (winners are in bold).
Editor’s note: This will be updated throughout the evening.
Best musical
- “Hell’s Kitchen”
- “Illinoise”
- “The Outsiders”
- “Suffs”
- “Water for Elephants”
Best revival of a musical
- “Cabaret at the Kit Kat Club”
- “Gutenberg! The Musical”
- “Merrily We Roll Along”
- “The Who’s Tommy”
Best direction of a musical
- Maria Friedman — “Merrily We Roll Along”
- Michael Greif — “Hell’s Kitchen”
- Leigh Silverman — “Suffs”
- Jessica Stone — “Water for Elephants”
- Danya Taymor — “The Outsiders”
Best performance by a leading actor in a musical
- Brody Grant — “The Outsiders”
- Jonathan Groff — “Merrily We Roll Along”
- Dorian Harewood — “The Notebook”
- Brian d’Arcy James — “Days of Wine and Roses”
- Eddie Redmayne — “Cabaret at the Kit Kat Club”
Best performance by a leading actress in a musical
- Eden Espinosa — “Lempicka”
- Maleah Joi Moon — “Hell’s Kitchen”
- Kelli O’Hara — “Days of Wine and Roses”
- Maryann Plunkett — “The Notebook”
- Gayle Rankin — “Cabaret at the Kit Kat Club”
Best performance by a featured actor in a musical
- Roger Bart — “Back to the Future”
- Joshua Boone — “The Outsiders”
- Brandon Victor Dixon — “Hell’s Kitchen”
- Sky Lakota-Lynch — “The Outsiders”
- Daniel Radcliffe — “Merrily We Roll Along”
- Steven Skybell — “Cabaret at the Kit Kat Club”
Best performance by a featured actress in a musical
- Shoshana Bean — “Hell’s Kitchen”
- Amber Iman — “Lempicka”
- Nikki M. James — “Suffs”
- Leslie Rodriguez Kritzer — “Monty Python’s Spamalot”
- Kecia Lewis — “Hell’s Kitchen”
- Lindsay Mendez — “Merrily We Roll Along”
- Bebe Neuwirth — “Cabaret at the Kit Kat Club”
Best book of a musical
- Kristoffer Diaz — “Hell’s Kitchen”
- Bekah Brunstetter — “The Notebook”
- Adam Rapp and Justin Levine — “The Outsiders”
- Shaina Taub — “Suffs”
- Rick Elice — “Water for Elephants”
Best original score
- Adam Guettel — “Days of Wine and Roses”
- David Byrne and Fatboy Slim — “Here Lies Love”
- Will Butler — “Stereophonic”
- Shaina Taub — “Suffs”
- Jamestown Revival and Justin Levine — “The Outsiders”
Best orchestrations
- Timo Andres — “Illinoise”
- Will Butler and Justin Craig — “Stereophonic”
- Justine Levine, Matt Hinkley and Jamestown Revival — “The Outsiders”
- Tom Kitt and Adam Blackstone — “Hell’s Kitchen”
- Jonathan Tunick — “Merrily We Roll Along”
Best choreography
- Camille A. Brown — “Hell’s Kitchen”
- Annie-B Parson — “Here Lies Love”
- Rick and Jeff Kuperman — “The Outsiders”
- Justin Peck — “Illinoise”
- Jesse Robb and Shana Carroll — “Water for Elephants”
Best scenic design in a musical
- Amp featuring Tatianna Kahvegian — “The Outsiders”
- Robert Brill and Peter Nigrini — “Hell’s Kitchen”
- Takeshi Kata — “Water for Elephants”
- David Korins — “Here Lies Love”
- Riccardo Hernández and Peter Nigrini — “Lempicka”
- Tim Hatley and Finn Ross — “Back to the Future”
- Tom Scutt — “Cabaret at the Kit Kat Club”
Best costume design in a musical
- Dede Ayite — “Hell’s Kitchen”
- Linda Cho — “The Great Gatsby”
- David Israel Reynoso — “Water for Elephants”
- Tom Scutt — “Cabaret at the Kit Kat Club”
- Paul Tazewell — “Suffs”
Best lighting design in a musical
- Brandon Stirling Baker — “Illinoise”
- Isabella Byrd — “Cabaret at the Kit Kat Club”
- Natasha Katz — “Hell’s Kitchen”
- Bradley King and David Bengali — “Water for Elephants”
- Brian MacDevitt and Hana S. Kim — “The Outsiders”
Best sound design of a musical
- M.L. Dogg and Cody Spencer — “Here Lies Love”
- Kai Harada — “Merrily We Roll Along”
- Nick Lidster for Autograph — “Cabaret at the Kit Kat Club”
- Gareth Owen — “Hell’s Kitchen”
- Cody Spencer — “The Outsiders”
Best play
- “Jaja’s African Hair Braiding”
- “Mary Jane”
- “Mother Play”
- “Prayer for the French Republic”
- “Stereophonic”
Best revival of a play
- “Appropriate”
- “An Enemy of the People”
- “Purlie Victorious: A Non-Confederate Romp Through the Cotton Patch”
Best direction of a play
- Daniel Aukin — “Stereophonic”
- Anne Kauffman — “Mary Jane”
- Kenny Leon — “Purlie Victorious: A Non-Confederate Romp Through the Cotton Patch”
- Lila Neugebauer — “Appropriate”
- Whitney White — “Jaja’s African Hair Braiding”
Best performance by a leading actor in a play
- William Jackson Harper — “Uncle Vanya”
- Leslie Odom Jr. — “Purlie Victorious: A Non-Confederate Romp Through the Cotton Patch”
- Liev Schreiber — “Doubt: A Parable”
- Jeremy Strong — “An Enemy of the People”
- Michael Stuhlbarg — “Patriots”
Best performance by a leading actress in a play
- Betsy Aidem — “Prayer of the French Republic”
- Jessica Lange — “Mother Play”
- Rachel McAdams — “Mary Jane”
- Sarah Paulson — “Appropriate”
- Amy Ryan — “Doubt: A Parable”
Best performance by a featured actor in a play
- Will Brill — “Stereophonic”
- Eli Gelb — “Stereophonic”
- Jim Parsons — “Mother Play”
- Tom Pecinka — “Stereophonic”
- Corey Stoll — “Appropriate”
Best performance by a featured actress in a play
- Quincy Tyler Bernstine — “Doubt: A Parable”
- Juliana Canfield — “Stereophonic”
- Celia Keenan-Bolger — “Mother Play”
- Sarah Pidgeon — “Stereophonic”
- Kara Young — “Purlie Victorious: A Non-Confederate Romp Through the Cotton Patch”
Best scenic design in a play
- dots — “Appropriate”
- dots — “An Enemy of the People”
- Derek McLane — “Purlie Victorious: A Non-Confederate Romp Through the Cotton Patch”
- David Zinn — “Jaja’s African Hair Braiding”
- David Zinn — “Stereophonic”
Best costume design in a play
- Dede Ayite — “Appropriate”
- Dede Ayite — “Jaja’s African Hair Braiding”
- Enver Chakartash — “Stereophonic”
- Emilio Sosa — “Purlie Victorious: A Non-Confederate Romp Through the Cotton Patch”
- David Zinn — “An Enemy of the People”
Best lighting design in a play
- Isabella Byrd — “An Enemy of the People”
- Amith Chandrashaker — “Prayer for the French Republic”
- Jiyoun Chang — “Stereophonic”
- Jane Cox — “Appropriate”
- Natasha Katz — “Grey House”
Best sound design of a play
- Justin Ellington and Stefania Bulbarella — “Jaja’s African Hair Braiding
- Leah Gelpe — “Mary Jane”
- Tom Gibbons — “Grey House”
- Bray Poor and Will Pickens — “Appropriate”
- Ryan Rumery — “Stereophonic”
